![]() "I'm Yours" was nominated for Grammy Award for Song of the Year and Best Male Pop Vocal Performance at the 51st Grammy Awards in 2009. It was performed in his 20 gigs and already became a crowd favorite before its release. " I'm Yours" is the first single released by Jason Mraz from his third studio album We Sing. This is our fate, I'm yours / (one downstrum) I've been spending There's no need to compli- cate, our time is short A jam group may want to leave out the long instrumental in the middle and if so you could do it like this: It's your choice! Jason Mraz has done many different versions in which there are variations in words, tempo, instrumentals, etc. For our own use, Mark and I prefer the two parts separated as we find it easier to read. I've posted two song sheets - one has the two parts combined, the other has the two parts separated. It’s simple and fun to play along to, and the laidback tempo makes it a good piece to practice chord changes to.This song breaks into 2 parts at the end. This simply involves playing on the up and downbeats, meaning you don’t have to think about more complex or irregular rhythms when playing:ĭespite not actually featuring any ukulele on the recording, we think “I’m Yours” is a fantastic choice for beginners to the instrument to learn. ![]() If you’d like a simplified strumming pattern, then you can use the one below. This isn’t necessary per se, but helps recreate the feel of the original recording.ġ & 2 & 3 & 4 & Strumming – Simplified/Easier Pattern ![]() ![]() Also, both of those first two notes are downstrokes. You’ll notice that there is a rest between the first and second note of this pattern. Ghost notes are an easy way of adding a percussive element to your ukulele playing and work especially well in songs with a strong, rhythmic feel like “I’m Yours”. Instead of playing a chord, you simply flatten your fretting hand across the strings and strum. If you want to make strumming along to “I’m Yours” even funkier, you can try adding a ghost note to the strumming pattern (denoted by x). If you want to get as close a sound as possible to the original recording, you can try palm-muting the chords represented by lowercase d/u.ġ & 2 & 3 & 4 & Strumming – Rhythmic Pattern In the chord diagram below, a lowercase d/u designates a normal downstroke or upstroke, while an uppercase d/u represents a stroke played with extra attack/emphasis. It’s important to listen to the recording and pay close attention to the guitar, because the instrumentation in “I’m Yours” is not recorded with a simple/straight feel. To really nail the feel that Mraz gets out of his guitar, try to attack or play the chords on the 2& and 4& beats harder than the others. Here’s a diagram for the ‘original’ strumming pattern. If you’re comfortable with playing slightly more complex rhythms, then this is a really fun way to play through the chords in “I’m Yours”. To us, it almost sounds like the guitar in the recording is mimicking the percussive effect you can get from a ukulele with extensive palm muting, so we thought it would only be fitting to play this pattern on the uke and see how it sounds. This strumming pattern is essentially the same as what the guitar plays in the original recording. This is a nice way to change the overall feel of the song and add some rhythmic complexity to your performance, if that’s what you’re going for. The fact that the chords for this song are fairly simple and repetitive means you have plenty of room for experimenting with the strumming pattern. View the complete ukulele chord chart for “I’m Yours” here. The interlude features the following chords in this order: Tuch-tu… ~ don’t you want to come on Īnd I will nibble your ear Interlude Chorusįor the first chorus, the chords are the same as the first verse:īut I won’t hesitate no more, no moreĪnd the second, extended chorus features a G/B chord, as well as that D7/F# again, before leading into the interlude: Listen to the music of the moment people dance and singĪnd it’s our godforsaken right to be loved, In the last line of the second verse, the progression changes slightly and a D7/F# is thrown into the mix for a bit of variation: I tried to be chill, but you’re so hot that I melted Well, you done done me an’ you bet I felt it It’s important to note that the chord doesn’t change at the beginning of each vocal phrase, but slightly after this is reflected in the chart below. This is the chord progression that repeats throughout the whole song and, when combined with the instrumental, gives “I’m Yours” its bouncy feel.
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